about

I am an artist, a daughter, a professional outlier, a language shapeshifter, a teacher, a player of archives, protocols, bureaucratic fictions, using crisis as muscle, impatience as rhythm, belonging as rumor, AI as mirror, through natural languages, legal tongue, poetry, code, dictionaries, precedents, interfaces, intimacy, film, Laurie Anderson, Adam Curtis, Nawal El Saadawi, Elinor Ostrom, the Code civil. Rooted in Paris, working online.



My work explores how language and technology create an uncanny sense of place, and how hybrid formats help us belong. In 2026, I co-founded KarmaLab, a creative studio focused on the thoughtful use of new media and emerging technology in the arts.

My films have screened on ARTE, France Télévisions, and Canal+, at Forum des Images, les FRAC, and Commune Image, as well as at festivals including Clermont-Ferrand, Go Short, L'Étrange Festival and Interfilm Berlin.

My teaching covers Systems Theory at Sciences Po, and formerly writing, translation, and digital media at LISAA Paris, INALCO, Concordia University, and Université Paul Valéry Montpellier III. It is shaped by my experience writing language manuals for Larousse Editions and translating poetry and prose.

IGLOÙ Paris, which I co-founded as a playground for experimental site-specific projects, created works merging digital formats with public space. One of these projects was presented at the 2018 Venice Architecture Biennale. The City of Paris later awarded us its Medal of Honor for contributions to its cultural landscape.