https://www.ronyefrat.work/ technology is the campfire around which we tell our stories. https://www.ronyefrat.work/work/une-vie-en-france/ https://www.ronyefrat.work/work/une-vie-en-france/ watch it here . A one-minute biographical series portraying figures whose lives reshaped France through migration, created using emerging digital production tools using a digital oil painting aesthetic. I directed the episodes dedicated to Georges Moustaki , Kenzo Takada , and Kamel Daoud . Starting https://www.ronyefrat.work/work/failing-forward/ https://www.ronyefrat.work/work/failing-forward/ watch it her e After being told she sounds like LaMDA, Google’s language model, Rony returns to the conversations published by The Washington Post to find out what, exactly, the two of them have in common. Played by the filmmaker whose name she carries, she consults the evidence and watches her stor https://www.ronyefrat.work/work/exemplaires/ https://www.ronyefrat.work/work/exemplaires/ watch it here . Paris, winter 2017. Three female migrants face the arbitrary cancellation on their 2006 resident permit for “exceptional talents”. Suddenly stripped of any legal possibility of remaining in the territory, they seek equally exceptional solutions to maintain their lives as they are. Wi https://www.ronyefrat.work/work/tech-care/ https://www.ronyefrat.work/work/tech-care/ find it here . A talk for researchers, policymakers, administrators, artists, communities, and anyone curious about how AI reshapes memory, storytelling, governance, and, most importantly, care. First presented on February 14, 2025, at 3A Paris during the roundtable The Impact of AI on the Social an https://www.ronyefrat.work/work/strike-against-the-archive/ https://www.ronyefrat.work/work/strike-against-the-archive/ find it here . A multi-screen installation about memory, technology, states, and family. In this work, I interview my parents in front of a green screen, asking them to recall fragments of their lives. Their voices and gestures are then transformed through AI, archival images, and old photographs. T https://www.ronyefrat.work/work/from-accents-to-ai/ https://www.ronyefrat.work/work/from-accents-to-ai/ find it here . Clusters: Technoculture, Art & Games A symposium at Milieux Institute , Concordia University, that explores creative nostalgia through panel discussions and workshops from experts in the arts and sciences. Abstract: Increasing mobility, technology and changes in globalized society https://www.ronyefrat.work/work/coupdecoeur/ https://www.ronyefrat.work/work/coupdecoeur/ find it here . Coup de Cœur is a site-specific video tour created for the Historical Library of Paris during the European Heritage Days. By using video, digital editing tools, and immersive storytelling, this project transforms physical space into a narrative-driven, interactive experience. It https://www.ronyefrat.work/work/multilingual/ https://www.ronyefrat.work/work/multilingual/ find it here . This workshop was designed to explore creative translation solutions in theater and performance through physical, collaborative practice. It introduced participants to the possibilities of bridging linguistic divides using digital resources. The focus on how technology can assist in t https://www.ronyefrat.work/work/escalesliees/ https://www.ronyefrat.work/work/escalesliees/ find it here . Throughout the winter of 2018, IGLOÙ prepared a new edition under the name Escales Liées, bringing together artists from diverse artistic and geographical backgrounds. This edition was developed in collaboration with the architecture agency Encore Heureux, curators of th https://www.ronyefrat.work/work/toutdonnees/ https://www.ronyefrat.work/work/toutdonnees/ find it here . IGLOÙ’s second annual event invited visitors on a weekend-long digital and multisensory journey at DOC, a former high school turned artist residency in Paris. Interdisciplinary artists created immersive experiences that explored how new technologies shape daily life, usin https://www.ronyefrat.work/work/premiersejour/ https://www.ronyefrat.work/work/premiersejour/ find it here . Premier Séjour, the first edition of IGLOÙ, brought together over 20 artists and writers in a site-specific festival of performances and installations. Through the use of digital formats and new media, the event engaged with the concept of “stay” as a unique https://www.ronyefrat.work/work/sonicmuseum/ https://www.ronyefrat.work/work/sonicmuseum/ A series of immersive audio guides for the Louvre Museum, blending dramatic soundscapes with experimental sound and localization technologies. As visitors passed by statues in the Cour Marly room, the audio guides were automatically triggered through special beacons, offering site-specific soundscap https://www.ronyefrat.work/work/clefsdame/ https://www.ronyefrat.work/work/clefsdame/ find it here . In this interactive Exquisite Corpse performance, participants submit personal memories, which are then translated using homophonic translation software into multiple languages. These translations are combined with digitally sampled soundscapes, creating an interactive performance whe https://www.ronyefrat.work/work/coincidence/ https://www.ronyefrat.work/work/coincidence/ Ariel Abrahams and Rony Efrat write together but have not yet met in person. They created a long distance storytelling piece for bus passengers via text message, on the subjects of love, coincidence, and landscape. The narrative is constructed as a conversation between the two artists, who first mee https://www.ronyefrat.work/work/falsefriends/ https://www.ronyefrat.work/work/falsefriends/ find it here . False friends, or Faux-amis, is an expression describing two words in two different languages that look or sound similar, but differ significantly in meaning. When two stories meet, a new story is created. Told in different languages and played around, a fairy tale is created where bo https://www.ronyefrat.work/work/failure/ https://www.ronyefrat.work/work/failure/ find it here . Seven times said the wolf to the kid, Cease. Only then devoured. What made me to be drawn that way to what the heart desired. Failure is a poem by Nathan Zach, translated by Rony Efrat. It was first presented as a video art in September 2014 at The Unresolved Festival at Ophelia Theat https://www.ronyefrat.work/work/traildire/ https://www.ronyefrat.work/work/traildire/ find it here . A portrait of an imaginary family. Three attempts to reach a memory that might never happen, trapped in video, sound, and water. It is presented in English, Italian, and French, considering the incomprehension of at least one of the languages. Tra il Dire e il Fare uses audio tools to https://www.ronyefrat.work/work/homecheck/ https://www.ronyefrat.work/work/homecheck/ find it here . Home Check is an interactive performance that incorporates digital tools to create a virtual “home visit” experience. The performance uses video mapping and digital questionnaires to simulate the process of evaluating someone’s living space, blending personal interac